12/30/2023 0 Comments Usher caught up musicNor does the fact that both songs’ lyrics tell the story of “a man caught up in love” save the Plaintiffs’ claim. The Challenged Song’s lyrics do not contain any back-and-forth and consist solely of the male narrator telling his story. Beyond the phrase “caught up” there is no overlap between the lyrics of the two songs beyond commonplace words like “hit” “girl” and control.” Moreover, the Plaintiffs’ Song’s lyrics are structured as a back-and-forth between the male protagonist and the woman who is the object of his affections. Nor have the Defendants copied any original arrangement of that phrase that would constitute protectable expression. As explained above, that phrase is not copyrightable. The only significant point of overlap is the use of the phrase “caught up” in the chorus of each song. Attached to this Opinion as an Appendix is a side by side comparison of the two songs’ lyrics. The lyrics of the two songs are also not substantially similar. And the chorus, or hook, of each song, although both employing the phrase “Caught Up,” feature entirely dissimilar melodies. The Challenged Song also features “unmistakable Motown influences” influences, whereas the Plaintiffs’ Song does not. Moreover, the Challenged Song contains significantly sparser instrumentation backing the singers’ vocals than does the Plaintiffs’ Song. The Plaintiffs’ Song also consists of a duet including a male and a female singer, whereas the Challenged Song features a solo male lead singer. The Challenged Song has no rapping Usher sings all of the lyrics. First, the Plaintiffs’ Song is in significant part a rap song. There are a number of material differences. She found that, although the two songs used the phrase “caught up” in the chorus, they were not substantially similar:Ī comparison of the sound recordings of the two songs confirms that their music is not substantially similar. His spirit and drumming will be greatly missed as his legacy continues to influence young drummers for generations to come.In an opinion Friday, Judge Cote dismissed a lawsuit accusing Usher of copying the plaintiffs’ 2002 song “Caught Up” when Usher released a song of the same name in 2004. Spears is survived by his wife Jessica and son August. “He encouraged me and lots of others to be as great as we could possibly be, and I just wanna say how grateful I am to him,” she said through tears. In a touching tribute posted to Instagram, Nikki Glaspie described how he would go out of his way to support other artists, calling him “a big brother of sorts to me and many others.” She shared a story of meeting him during her time playing with Beyoncé. In addition to being one of the world’s most prolific pop drummers, Spears was a dedicated supporter of the arts and music community. “You’ve seen Aaron drum prolly 5-10 times in your life if you attend concerts & sometimes without knowing,” fellow drummer/producer Questlove said. “That’s how much in demand his services were.” He also performed on Late Night with Seth Meyers and was the music coordinator and drummer for a season of The Masked Singer. Spears would go on to be one of the music industry’s most in-demand drummers, playing with Miley Cyrus, Lady Gaga, Britney Spears, the Backstreet Boys, and many more. His Grammy appearance made him a household name among drummers, and soon videos of his playing, including another famous performance of “Caught Up” from the 2006 Modern Drummer Drum Festival, became popular on sites like Drummerworld, back before YouTube caught on culturally.Īaron Spears – “Caught Up” (Usher) – 2006 Modern Drummer Drum Festival music scene, Spears earned a Grammy nomination as a producer for Usher’s album Confessions and achieved widespread recognition in 2004 with an impressive performance at the Grammys combining Usher’s “Caught Up” and James Brown‘s “Sex Machine”. He started playing when he was so young he could not yet reach the bass drum pedal, so he would sit on someone’s lap and play just “the stuff on top” while they worked the pedals, he explained in an interview with drumtalk.Īfter moving on from the local D.C. Aaron Spears, who helped shape the sound of pop drumming by incorporating his blazing-fast “gospel chops” with Usher, Ariana Grande, Lil Wayne, and other major pop and hip-hop artists, has died at the age of 47, his wife confirmed in a social media post on Monday.īorn on October 26th, 1976, Spears developed his signature drumming style playing gospel music in church in his native Washington, D.C.
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